New Pastel: Cherish - Elk & calf

Last summer, before we came to Corning, Neil and I camped around western Iowa – I know, maybe a bad idea during a pandemic, but we were safe and stuck to only our camper to avoid any contact. One of the places we camped was Botna Bend Park in Hancock, Iowa.

Located right next to a grain silo, Botna Bend Park is a little spot of inspiration in an otherwise non-descript ordinary rural town. Not only is the campsite right next to the West Branch East Nishnabotna River (which apparently flooded extensively in 2019) but it is home to a herd of Bison and a herd of Elk.  One of the highlights of our visit there was when we first arrived, we witnessed the first few days of an elk calf’s life. Though very late in the breeding season, we watched how the newborn calf stayed isolated from the rest of the herd during the day and then watched it start to assimilate with the group when it was ready – which occurs around 10 – 14 days.

Typically, in the wild, elks give birth in the spring, but I imagine with the elk enclosed and fed well, their natural mating and birthing cycle is skewed – which could explain why we were lucky to see their interaction so late in the summer.

Each morning and evening, we would go out and watch the calf and mother interact. And of course, that is where the moment that inspired this pastel came from. Though I could have been anthropomorphizing the mother elk a bit, I could see how she cared for and cherished her newborn. It was an extraordinary moment to be a part of in an otherwise ordinary little town in Iowa. Though everything is extraordinary if you really stop and observe.

Cherish, 15x17, Pastel